English bulletin February 1, 2024

. ARTISTS FOR PEACE . .

The struggle continues to stop the genocidal attacks by Israel against the people of Gaza. The International Court of Justice, responding to the complaint brought by South Africa, has issued orders to Israel to refrain from genocidal actions. Although there is no enforcement mechanism, the ruling reinforces the growing movement demanding a ceasefire.

People around the world continue to protest in solidarity with Palestine. On January 13 there were demonstrations involving up to a half million people, in Washington DC and London, as well as other demonstrations in Paris, Berlin, Rome, Johannesburg, Abuja, Tokyo, Islamabad, Jakarta, Kuala Lumpur, Milan, Dublin, Basel, Amsterdam, Oslo, Uppsala and Tunis.

Artists are playing an important role.

With regard to the genocide against Gaza, artists have mobilized in the UK, US, South Africa, France, Qatar, Dubai, Malaysia, Canada, India, and even in Israel itself. They have staged solidarity events such as murals, exhibitions of paintings, sand sculptures, and the reading of monologues by Gazan youth. Thousands of artists have signed declarations such as that of Musicians for Palestine, Artists for Palestine UK, #MusicForACeasefire, Artists4Ceasefire, and the peace memorandum of artists in Malaysia or they have led events such as the march for peace in Paris.

Singers Mira Awad and Noa, two Israelis, one Arab, the other Jewish, are singing for peace between Israel and Palestine. In December they were featured in a concert of the Berlin Philharmonic.

150 artists, singers, dancers and actors went on stage at the Algiers Opera Boualem Bessaih on January 20 in a gala of solidarity to raise money for Palestine. The event was sold out and broadcast on television.

A special CPNN article is dedicated to the young Palestinian artist Amal Abu al-Sabah who paints murals on the rubble of buildings that have been destroyed, “in order to send a strong message that we will remain on our land and never leave it.”

Responding to the attempts of the German government to ban demonstrations of support for Palestine, hundreds of artists and cultural workers around the world signed a petition calling to boycott German cultural institutions.

Artists are mobilizing for other peace and justice initiatives as well.

In the United States, support for the Black Lives Matter movement is being played out on the major stages of dance. Choreographer Jamar Roberts’s “Ode,” a somber and sensuous dance first performed in 2019 as a response to gun violence, was restaged for the Alvin Ailey American Dance Theater’s 65th anniversary in December. Last May, Chanel DaSilva’s “Tabernacle” premiered at the Dallas Black Dance Theatre, fusing Afrofuturism, hip hop, and African dance in a direct response to BLM. And last fall, the French-Malian choreographer Smaïl Kanouté’s “Never Twenty One” made its New York debut, its title borrowed from a BLM slogan.

In Colombia, 45 Singers, poets, dancers and musicians have answered the call of the Office of the High Commissioner for Peace and created an album of music to send a message against violence: “enough is enough”. The album contains a mix of Afro-Colombian rhythms, ordinary songs and rap.

In Turkey, hundreds of artists have called for negotiations on a peaceful solution to the Kurdish question. The declaration “Let us be a voice for peace”, is signed by 564 personalities, including prominent musicians, writers, directors, actresses, photographers and painters. It includes the following statement, “We, the people of art and literature, will not stand by and watch Turkey waste another century, propose to weave together a future in which all ethnic, religious and cultural identities live freely and are not oppressed or subjected to pogroms.”

In France, 121 personalities from the cultural and intellectual world have signed an appeal in support of the Turkish declaration, including among the signatories Annie Ernaux and Edgar Morin, and the “Voice for Peace in Kurdistan” collective organized a solidarity conference in Marseille on Saturday, 13 January.

In Cuba, cultural institutions including Cuban Institute of Cinematographic Art and Industry, the House of the Americas, the House of the Film Festival, the Foundation of New Latin American Cinema, the International Film School, the Ludwig Foundation of Cuba, the National Ballet of Cuba, the Hermanos Saiz Association and the Union of Writers and Artists of Cuba issued a declaration in support of artists from Argentina in the face of Javier Milei’s attacks on the cultural institutions of that country.

In Algeria, the National Graffiti Festival awarded first prize to the artist Fethi Mjahed for his murals that raise awareness of citizenship ad disseminate the culture of peace.

In Mexico City, the work of 12 artists is on exhibit to promote peace in their neighborhoods of the city. From the portraits made by Esteban Viveros of the people who live in the Guerrero neighborhood; to the landscapes of Jessica Islas, who denounces the burning of the forests in Xochimilco; and the collective work of Atardecer Dwsk that demonstrates that art heals the hearts of those who feel loneliness and depression, the creators seek to question prejudices about the places they inhabit.

With regard to the war in the Ukraine, CPNN readers may recall that many Russian artists, including writers and poets, musicians and music industry workers, television celebrities, hosts and showpeople, actors and actresses, filmmakers, comedians and stand-up artists, opera singers, fashion models, ballet dancers, orchestra conductors, and theater directors are among those who dared to oppose the war last year. Perhaps the most famous is Alla Pugacheva, Russia’s most beloved pop singer.

Speaking at the meeting of Turkish artists, Feyyaz Yaman from Karşı Sanat (Counter Art) expressed the urgent task confronted by artists today. “The silencing environment we are experiencing all over the world today prompts us to seek our rights. If art is to speak a critical language, then it must first weave rights and the coexistence of peoples. We invite artists to stand together against those who continuously impose a process of extermination and to claim this need. We have something to do for this, we need to produce a process of real dialogue. We have to bring together and defend the injustices we have suffered in this environment of differences on our common ground of righteousness. As those who believe in the power of art, we invite everyone to re-establish this peace.”

TOLERANCE & SOLIDARITY



Gala of solidarity with the Palestinians at the Algiers Opera

HUMAN RIGHTS



BDS Movement: Act Now Against These Companies Profiting from the Genocide of the Palestinian People

SUSTAINABLE DEVELOPMENT



Wealth of five richest men doubles since 2020 as five billion people made poorer in “decade of division,” says Oxfam

FREE FLOW OF INFORMATION



Rallies held worldwide as Israeli genocide in Gaza enters 100th day
  

WOMEN’S EQUALITY



The women leading the fight for peace in Palestine: Women in Black

EDUCATION FOR PEACE



The artists Mira Awad and Noa: voices for peace in the Palestinian-Israeli conflict

DISARMAMENT & SECURITY



Wives of Russian soldiers descend on Putin campaign office to demand demobilisation

DEMOCRATIC PARTICIPATION



Oaxaca, Mexico: State Government Promotes Culture of Peace as a Public Policy
d-education

Art for peace in Mexico City

EDUCATION FOR PEACE .

An article by Azaneth Cruz in El Heraldo de México

“Cracks and fissures. Where peace appears” exhibits the work of 12 artists from different neighborhoods of the capital and the State of Mexico and reflects on violence

For the artist Carlos Amorales, the neighborhood is “more synonymous with community than with violence,” a reason that led him to join the mentoring of the artists who participated in the group exhibition Cracks and Fissures.


Credit: Fotos: Especial

The exhibition “Where peace appears,” continues until June of this year at the University Cultural Center (CCU) Tlatelolco. It is part of the Peace Laboratories, a project created in 2021 that seeks to contribute to cultural development, peace building and social transformation in territories affected by insecurity and violence through art.

From the portraits made by Esteban Viveros of the people who live in the Guerrero neighborhood; to the landscapes of Jessica Islas, who denounces the burning of the forests in Xochimilco; and the collective work of Atardecer Dwsk that demonstrates that art heals the hearts of those who feel loneliness and depression, the creators seek to question prejudices about the places they inhabit.

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(Click here for the original Spanish version of this article.)

Question for this article:

Do the arts create a basis for a culture of peace?

Is there progress towards a culture of peace in Mexico?

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“We have talked a lot about violence.

We have been talking about violence for 15 years, documenting it and experiencing it more and more closely, however, little is proposed to internalize peace, for this reason we establish different projects that are carried out in the laboratories. An example of this is this exhibition, in which 12 artists share and defend what the neighborhood means to them,” explained Paola Zavala, director of outreach at CCUTlatelolco.

He added that the exhibition: “is an invitation to the counterculture of drug trafficking, to the series, to the activities that incite violence and the objectification of women, to link young people to other successful roles that help us to the construction of communities of peace through art as a space for encounter, reflection, resistance and proposal.”

The exhibition is mentored by historian Alesha Mercado, actress and human rights defender Minerva Valenzuela, collector and architect Roberto Shimizu, curator Cuauhtémoc Medina and artists Eduardo Abaroa and Carlos Amorales.

DETAILS

Participating artists come from Xochimilco, La Merced, Iztapalapa, Magdalena Contreras and Chimalhuacán.

The CCU Tlatelolco Peace Laboratories were created in 2021.

12 artists participate.

The exhibition lasts 5 months.
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EDUCATION FOR PEACE, Latin America

Decision of the International Court of Justice

. TOLERANCE AND SOLIDARITY . .

A blog from Mazin Qumsiyeh

Today 26 January 2024 (after 112 days of carnage), the International Court of Justice issued a decision /injunction with six provisional measures (available here ) and will continued deliberation. The six provisional measures requested are an important win for human rights and could be a game changer even as Israel tried to dismiss them and will go on with carnage.


 
Quotes from the court ruling

In light of the foregoing, the Court concludes that, prima facie, it has jurisdiction pursuant to Article IX of the Genocide Convention to entertain the case.  Given the above conclusion, the Court considers that it cannot accede to Israel’s request that the case be removed from the General List…..The Palestinians appear to constitute a distinct “national, ethnical, racial or religious group”, and hence a protected group within the meaning of Article II of the Genocide Convention. The Court observes that, according to United Nations sources, the Palestinian population of the Gaza Strip comprises over 2 million people. Palestinians in the Gaza Strip form a substantial part of the protected group….;.The Court, pursuant to Article 41 of its Statute, has the power to indicate provisional measures….The Court considers that, with regard to the situation described above, Israel must, in accordance with its obligations under the Genocide Convention, in relation to Palestinians in Gaza, take all measures within its power to prevent the commission of all acts within the scope of Article II of this Convention, in particular: (a) killing members of the group; (b) causing serious bodily or mental harm to members of the group; (c) deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; and (d) imposing measures intended to prevent births within the group. The Court recalls that these acts fall within the scope of Article II of the Convention when they are committed with the intent to destroy in whole or in part a group as such (see paragraph 44 above). The Court further considers that Israel must ensure with immediate effect that its military forces do not commit any of the above-described acts.

The final six decisions of the ICJ (provisional measureS):

(1) By fifteen votes to two, The State of Israel shall, in accordance with its obligations under the Convention on the Prevention and Punishment of the Crime of Genocide, in relation to Palestinians in Gaza, take all measures within its power to prevent the commission of all acts within the scope of Article II of this Convention, in particular: (a) killing members of the group; (b) causing serious bodily or mental harm to members of the group; (c) deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; and (d) imposing measures intended to prevent births within the group;

(2) By fifteen votes to two, The State of Israel shall ensure with immediate effect that its military does not commit any acts described in point 1 above;

(3) By sixteen votes to one, The State of Israel shall take all measures within its power to prevent and punish the direct and public incitement to commit genocide in relation to members of the Palestinian group in the Gaza Strip;

(4) By sixteen votes to one, The State of Israel shall take immediate and effective measures to enable the provision of urgently needed basic services and humanitarian assistance to address the adverse conditions of life faced by Palestinians in the Gaza Strip;

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Question related to this article:

Presenting the Palestinian side of the Middle East, Is it important for a culture of peace?

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(5) By fifteen votes to two, The State of Israel shall take effective measures to prevent the destruction and ensure the preservation of evidence related to allegations of acts within the scope of Article II and Article III of the Convention on the Prevention and Punishment of the Crime of Genocide against members of the Palestinian group in the Gaza Strip

(6) By fifteen votes to two, The State of Israel shall submit a report to the Court on all measures taken to give effect to this Order within one month as from the date of this Order.

The most reputable court on earth has effectively ruled and with a huge majority that: 1) there is plausible evidence of genocidal acts requiring immediate intervention justifying taking the case, 2) that Palestinians are at grave risk of genocide (warranting 6 injunctions noted above).


The resolution opened with a summary of the conflict from 7 October and the contentions of South Africa and Israel about what transpired since. The decision constitutes a profound undermining of the persistent use of the Jewish holocaust to justify another holocaust and that Israel is above the law having proclaimed itself (falsely as representing Jews). This must be built upon and strengthened in a global popular effort (growing global movement) not only to force compliance of ending the genocide per the ICJ’s order (pending final ruling which might take months). The resolution implicitly but not explicitly stipulates a ceasefire. But the decision orders refraining from killing Palestinian civilians and refraining from causing any physical or psychological harm under article 2 of the convention. The decision demands the immediate provision of basic services and humanitarian aid (food, water, medicine, fuel) denied by the Israeli army since 7 October. 


The resolution was issued closer to consensus, with a vote of 15 to 2 or 16 to 1, which means that there is international consensus on the existence of Israel’s intention to annihilate. The American judge, the French judge, and the German judge voted in favor of the resolution, contrary to the declared position of their countries. This is an indication that may constitute a message from those countries of their unwillingness to risk undermining the international system they established to sustain their influence. The Israeli judge appointed ad hoc for this case, Aharon Barak, contradicted his government’s legal position, which rejects the court’s jurisdiction in this case in the first place, and that it risks undermining the legitimacy of Israel when it exposes it to precautionary measures based on the Genocide Convention. Judge Barak voted in favor of the decision on the items preventing incitement and providing basic services and aid, meaning that he granted legitimacy to the court’s jurisdiction in accordance with the Genocide Convention in principle. The judge who voted against all the provisions of the resolution was the Ugandan judge, Julia Sabotendi, including the two provisions that were supported by the Israeli judge, reminds us of the Ugandan option for the Jewish state (1903) and its current government being occupied.

Israeli occupation army will probably go on with its killing spree and starvation of the people and clearing out a 1 Km wide zone of Palestinian houses while bombing others from the air, sea, and land. Most of the public as you can see from the video above is brainwashed. But it is a moral defeat for the Colonial project and more and more countries and people are not buying the lies and distortions any more. It is time for the 15 million Palestinians scattered around the world to discard aging leaderships, organize better and with help of all people of good will assert and achieve our right to return and self determination in Palestine. 

What we need to do? Keep pushing, keep posting on social media, speak truth to power, , keep protesting/demonstrating (especially against complicit media and politicians), engage in BDS ; For more on what you can do see ongaza.org and What you can do. You can shorten the 112 day carnage and each day an average of 250 civilians are killed (accelerating now because of famine and disease). Even saving one day means saving hundreds of lives and many remaining homes from demolition.

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Mideast, TOLERANCE & SOLIDARITY

Declaration of Cuban Culture institutions in support of artists from Argentina in the face of Javier Milei’s measures

EDUCATION FOR PEACE .

An article from Cuba Information

Different cultural institutions in Cuba have expressed their concern about the Argentine government’s attempt to “ignore and mutilate the rich cultural life” and urged “a return to the urgency of recognizing that art and culture are a powerful tool to reconstruct the memory of the continent for its spirituality and the recognition of its diversity, to offer an “other” view of the historical-social reality, to decolonize knowledge and to stop the looting of our heritage and the aggression against our identities.

The declaration was promoted by the Cuban Institute of Cinematographic Art and Industry, the House of the Americas, the House of the Film Festival, the Foundation of New Latin American Cinema, the International Film School, the Ludwig Foundation of Cuba, the National Ballet of Cuba, the Hermanos Saiz Association and the Union of Writers and Artists of Cuba.

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(Click here for the original Spanish version of this article.)

Question for this article:

Do the arts create a basis for a culture of peace?

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“There are many challenges for artists faced with the government’s attempt to cut their support and to dismiss their role as guarantor of the national essence. The complex reality that Argentina is experiencing and the continuous messages that come to us from intellectuals and artists about the danger that the culture of that country faces under the government of Javier Milei, demands that we express our solidarity and most sincere support to those who fight to defend the achievements made by that nation. Their creative production is of great relevance , not only for its recognized quality, but for its positive impact in the Latin American and Caribbean region,” according to the declaration.

In the declaration, Cuban institutions from different artistic branches state that “culture is one of the most conflictual domains within Argentine political reality. Intellectuals and artists, especially filmmakers and performing artists, face a scenario in which their performances may be dramatically affected and, as a consequence, the reconstruction of collective memory and national and regional identity would be hindered. Argentine culture and cinematography have a prominent place on the continent. They must be defended as a space where ways of acting and thinking about the past and imagining the future are recombined. They provide a setting for the collective construction of symbolic universes, social practices and political agendas. Culture offers the most important possibilities of choice and freedom.”

(Note: The integral text of the declaration is available on the website. The declaration is still open for signatures at prensa@icaic.cu.)

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EDUCATION FOR PEACE, Latin America

Gala of solidarity with the Palestinians at the Algiers Opera

. TOLERANCE AND SOLIDARITY . .

An article from El Watan

The hall of the Algiers Opera Boualem Bessaih, in Ouled Fayet, west of the capital, was packed on the evening of Saturday January 20, for the gala of solidarity with the Palestinians, Salam lel Falastine ( Peace for Palestine). 

 By noon on Thursday, January 18, 2024, all tickets have been sold out. I take my hat off to the Algerian artist who wanted this show to be unique in its kind. I also salute the immense promotional work done by the national press for this event. We were able to bring together 150 artists on stage, supported by sponsors who believed in the project, and by the Ministry of Culture and Arts,” declared Abdelkader Bouazzara, director of the Algiers Opera and organizer of the gala.  


Proceeds from the evening will be donated entirely to the benefit of the Palestinian people.

 
The evening began with the Algerian and Palestinian national anthems performed by the Algiers Opera Symphony Orchestra. The college choir Mamlakatou al tilmidh (The kingdom of children) from Ain Benian (Algiers) then performed Beytouna el Qods (our house el Qods), based on music and words by Mustapha Alouane. Syrian maestro Missak Baghboudarian led the orchestra afterward to play the overture to La forza del destino (The Force of Destiny), an opera composed by Italian Giuseppe Verdi at the request of Russian Tsar Alexander II in 1862 (seven years afterwards, the work was greatly revised by the composer). From another Verdi opera, composed ten years earlier, La traviata, soprano Dina Sirine Khiari masterfully performed the aria Addio del passato (Farewell to the past).

 
“Take your hours out of our time, go away”
 

Covered in a dark burnous, the actor Hassan Kechache declaimed the famous poem by the Palestinian Mahmoud Darwish, Ayahou al maroun bayna el kalimat al abira (You who pass among the fleeting words), criticizing the Israeli occupation of Palestinian lands:

“You who pass among passing words. Take your names and leave. Take your hours out of our time, go away. Extort what you want, from the blue of the sky and the sand of memory.  Take the photos you want, to know that you will not know how the stones of our earth build the roof of the sky.”

Led by Nadjib Kateb, the Andalusian Orchestra of the Algiers Opera performed in moual Filistine ya bladi (Palestine ô my country), sung by Lamia Madini, followed, in zidane style, to the tune of Qom tara, Seif el Quds, performed by Sarah Belaslouni, based on a poem by the Syrian Abdel Rahim Al Gamoudi. Hassan Kachach returned to the stage to declaim the lyric poem Ardha falestine (The land of Palestine), by the Algerian Mohamed Badji, then interpreted, in Chaâbi style, by Kosseila Ajrad.

This song was widely popularized by Amar Zahi. Less known, the song Asbaha indi el an boundoukia (I now have a rifle) was then sung by Asma Alla, accompanied by the Algiers Opera Symphony Orchestra, conducted by Lotfi Saïdi. Asbaha indi el an boundoukia is an epic style song performed as a duet in 1969 by Mohamed Abdelwahab and Oum Keltoum to a poem by Nizar Kabbani. The famous theme song of the Egyptian soap opera Raafat Al Haggan, composed by Amar Cherii, was then performed by the Symphony Orchestra conducted again by Missak Baghboudarian. 

“If we are to have another gala for Palestine, we must repeat tonight’s gala in every detail. I am delighted that Algerian, Syrian and Tunisian artists came together to play classical music and Andalusian music with a children’s choir and singers. All the artists said their word for Palestine this evening. We have said our word to the world…,” confided the Syrian maestro.

(Click here for the French original of this article.)

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Question related to this article:

Presenting the Palestinian side of the Middle East, Is it important for a culture of peace?

(continued from left column)

The flower of cities

He explained that the choice of La forza del destino is motivated by adopting a language that is addressed to the whole world, not just for audiences in the Arab region. 

“For Rafaat Al Haggan’s music, we were young when the soap opera was broadcast. We all dreamed of becoming like him,” he said. Directed at the end of the 1980s by Yehia El Alami, Rafaat Al Haggan, this three-season series tells the story of an Egyptian spy who hit the headlines in Israel in the 1950s.

The dancers of the Opera Ballet from Algiers then performed a Palestinian dabke to the famous song by Mohamed Assaf, Ala ahdi ala dini. The stage was then given over to Maria Saïdi and Nourelhouda Ghanoumat to sing Chedou baathkoum ya ahl falestine, a song made famous by an old Palestinian Halima Kessouani, since killed by Israeli soldiers. 

Zahratou al madayine (the flower of cities), the famous song of the Lebanese Fairouz, in homage to El Quds, was then taken up by Nada Rayhane, accompanied by the symphony orchestra and the choir of Algiers and Laghouat. 

Dressed in a red dress covered with a white cape, Manel Gharbi then sang Sayfoun fel youchhar (Let a sword be exhibited) by Fayrouz, a song dating from 1967, the year of the Six Day War, before continuing with Win el malayine (Where are the millions?). Produced during the first Intifada in the Palestinian Territories in 1987, Win el malayine, written and composed by the Libyans Ali Al Kilani and Abdullah Muhammad Mansour, was performed as a trio by the Lebanese Julia Boutros, the Tunisian Sawsan Hammami and the Syrian Amal Arafa.
 

“The artist’s message always reaches the heart”

Manuel Gharbi said, “I am proud to have participated in this gala singing this style for the first time, usually I sing Andalusian. I like this style. We are proud as artists to have participated in this evening of solidarity with the Palestinian people. Algeria has always stood in solidarity with the Palestinians and the Palestinian cause. The fact remains that the solidarity of artists is always important. The artist’s message always reaches the heart. Even if the entries for this evening are symbolic, the fact of coming together and showing solidarity remains important. I hope that the voice of artists reaches everywhere in the world.”  She has just produced a duet with Syrian singer Rasha Rizk, a song in tribute to Palestine, composed by Tarik Benouarka. Manel Gharbi wants the song’s video to be shot in Algeria. 

The evening closed with a cover of the cantata Carmina Burana by German composer Carl Orff, translated into Arabic by Rabah Kadem, and sung by the choir of Algiers and Laghouat. A choir directed by Zouhir Mazari.
 
The conductor Lotfi Saïdi said, “I salute the public who came in force. It is a way of expressing support for the Palestinians.  Proceeds from the evening will be donated entirely to the benefit of the Palestinian people. All the artists and institutions of the Algiers Opera took part in this gala. The artists fight in their own way, with music.”

Soraya Mouloudji, Minister of Culture and Arts, declared, for her part: “These international-level artistic works are all linked to the Palestinian cause. A national cause par excellence for Algeria, as underlined by the President of the Republic. Art does not exist solely for entertainment or joy, history has proven that often art is born out of pain and crisis. This evening, the voice of artists confronted obscurantism and the flagrant violation of human rights from which our Palestinian brothers suffer,” She praised “the great effort” made by Abdelkader Bouazzara, director of the Opera, to organize the show “in a short period of time”. 

“We discussed the possibility of organizing similar galas after two or three months to express our solidarity with the Palestinian people,” she said. 

For his part, Abdelkader Bouazzara announced that other shows will be organized at the Algiers Opera and did not rule out the possibility of a national tour. 

The solidarity gala with Palestine was broadcast live on the Echababia channel (Channel 6) and will be broadcast afterwards on all the channels of the ENTV group (ex-RTA). 

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Mideast, TOLERANCE & SOLIDARITY

The United Nations Alliance of Civilizations Selects Seven Youth-Led Organizations as Recipients of its Youth Solidarity Fund

. TOLERANCE & SOLIDARITY .

A press release from the United Nations Alliance of Civilizations

The United Nations Alliance of Civilizations (UNAOC) is pleased to announce the latest recipients of its Youth Solidarity Fund (YSF).

UNAOC received over 600 applications from 86 countries to consider for funding and capacity-building support. Seven youth-led organizations across three continents were selected, following a rigorous evaluation process, to implement projects contributing to the promotion of peaceful societies based on their creative approaches to building peaceful communities through intercultural and interfaith dialogue and their potential to have a positive impact on their respective communities.

The seven recipients join a group of 73 other youth-led organizations that have benefited from YSF. Since it was established in 2008, YSF has contributed to advancing the implementation of UN Security Council Resolution 2250 by providing opportunities for partnership, capacity-building and financial means to young people to carry out activities that prevent violent conflict, and promote peace and social inclusion.

Further, YSF continues to be one of the leading mechanisms in the UN system that works directly with young people to realize the Sustainable Development Goals and drive positive change in their communities and societies.

All of the selected projects are developed and implemented by young people. While their projects frequently target other young people, they have the potential to impact entire communities by involving religious and political leaders, policymakers, educational institutions, and media entities. UNAOC supports projects that reach out to, and connect, marginalized youth from diverse socioeconomic, cultural, and religious backgrounds to foster broader and transformative engagement of all youth and reduce polarization in their communities.

In addition to seed funding, YSF recipients receive technical support to strengthen the implementation of their projects. Workshops and training sessions to boost their intercultural and peacebuilding competencies are delivered alongside mentorship guidance to bolster
organizational development.

The Youth Solidarity Fund Recipients are:

1. Community Engagement for Peace and Conflict Resolution by Ikon Initiative for Sustainable Development, Sierra Leone

Ikon Initiative for Sustainable Development aims to address the issue of election-related violence in Bombali district, northern Sierra Leone, which often undermines electoral processes and generates unrest, hatred and mistrust among community members. By using intercultural dialogue, sports and drama, the initiative strives to promote peaceful coexistence, create safe spaces for open conversations, foster empathy and equip community members with conflict resolution skills.

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Question related to this article:
 
Youth initiatives for a culture of peace, How can we ensure they get the attention and funding they deserve?

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2. Amplifying Community Voices for Sustainable Peace in the Rwenzori region by Access Youth Initiative Uganda, Uganda

Access Youth Initiative Uganda aims to focus on strengthening engagement of young people in peacebuilding and preventing violent extremism through their meaningful inclusion in mediation platforms, dialogue sessions, youth camps and sport tournaments. The initiative seeks to develop youth peace champions while integrating intergenerational exchange, community service and mentorship with innovative information and communication technology and sports activities to build resilient relationships and engage in intercultural
conversations for peace.

3. Training of Young People to Promote Peace “NO KUDJI PAZ” by FINSJOR – Young Girls Social Intervention Forum, Guinea-Bissau

FINSJOR aims to increase awareness of young people to promote peacebuilding and conflict resolution in their communities and support the national development process by equipping young people with skills in non-violent communication. Additional activities, such as radio debates, school campaigns and conferences, will explore the root causes and consequences of ethnic tensions in the country.

4. Engaging Youth in Increasing Religious Tolerance Awareness through Online Peace Narrative Campaigns to Safeguard Religious Sites by Yayasan Pemberdayaan Masyarakat Indonesia Cerdas (YPMIC), Indonesia

YPMIC aims to respond to a rise in online radical religious views and vandalism of religious sites involving youth by actively engaging young people in creating and spreading peace narratives online and offline. The project aspires to increase religious tolerance among young people in South Sulawesi region through peace training, religious site visits, digital campaigns, talk shows and exhibitions.

5. Bridging Faiths: Fostering Interreligious Tolerance Among Muslim and Christin Youth in Zomba, Malawi by Zomba Center for Creative Arts (ZOCCA), Malawi

ZOCCA aims to address increased violence and incidents of religious intolerance among young people in Zomba, Malawi through sport, dialogue sessions, interfaith workshops, community service projects and cultural exchange events. These activities intend to promote interreligious dialogue, foster empathy and respect and encourage cooperation among young people from different faith backgrounds.

6. Detect, React, Protect by Youth for Peace, Bosnia and Herzegovina

Youth for Peace aims to address ever-present tensions and hate speech between people of Serbia and Bosnia and Herzegovina by bringing together youth from both sides of the border to work together to foster better understanding among the two nations. Focusing on peace education and freedom of religion and belief, Youth for Peace will strive to create a space for safe interaction, open dialogues and and better relations.

7. Bridging Communities: Promoting Intercultural and Interfaith Dialogue Among African and Egyptian Youth in Egypt – Diverse Voices, United Communities by AlMahrousa for Development and Participation (MDP), Egypt

MDP aims to bring youth from diverse cultural and religious backgrounds together with migrants and their peers in Greater Cairo communities to foster mutual understanding, collaboration and the promotion of the values of peace and inclusivity through youth-led workshops, interfaith and intercultural dialogues and public awareness campaigns. Young leaders from both groups will aim to develop plans of action and community initiatives to counter social polarization and ethnic/religious extremism.

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global, TOLERANCE & SOLIDARITY, United Nations,

Wives of Russian soldiers descend on Putin campaign office to demand demobilisation

DISARMAMENT & SECURITY .

An article from Novaya Gazeta

The wives of Russian men called up to fight in the war in Ukraine visited Vladimir Putin’s re-election campaign office in Moscow on Saturday (January 20) to demand the return of their husbands from the front line, independent news outlet SOTA reported.


frame from video in telegram social media

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Questions related to this article:
 
Can the peace movement help stop the war in the Ukraine?

(Continued from left column)

Upon arriving at the office, the women were reportedly met by members of a pro-Putin “Volunteer Squadron” and anti-extremism police.

In a heated exchange, footage of which was quickly made available by Russian Telegram channels, the women asked staffers when Putin would sign a demobilisation order that would allow their husbands to return home.

In response to their demands, one campaign staffer replied that demobilising the troops would “damage male dignity,” and that men should fight as if they were “warriors and God’s unique creations.”

The women, part of demobilisation campaign group The Way Home, were watched by around 10 police officers as they laid flowers at the Tomb of the Unknown Soldier outside the Kremlin before entering the Putin campaign’s election office nearby. One journalist covering the protest was detained but later released.

The gesture came in the wake of similar actions earlier this month, when around 15 women also laid flowers at the Tomb of the Unknown Soldier and picketed government buildings around Moscow to demand the return of their husbands from the front.

DISARMAMENT & SECURITY, Europe

A Working Class Victory on Colombia’s Horizon

… . HUMAN RIGHTS … .

An article by Omar Ocampo in Inequality.org (Content licensed under a Creative Commons 3.0 License)

The Seventh Committee of the House of Representatives voted to approve 16 of the 98 articles of the landmark Labor Reform bill right before the start of winter recess. The bill will now advance to a second round of legislative debates that will resume next month.

This is great news for the workers movement: Labor reform represents one of the three flagship policy proposals of the Petro-Márquez administration that seeks to equitably transform society. The bill will not only restore the labor rights that were rescinded a little over twenty years ago by a far-right government — it will go a step further and expand these rights.

The road to reform thus far has not been easy. Since the bill was first introduced last March, it predictably encountered fierce opposition from the business community and its political representatives. Those corporate stakeholders argued that the bill distributes benefits to an already privileged class of formalized and unionized workers.

But as researcher Santiago Garcés Correa highlighted in an article for the magazine 100 Días, such depictions do not accurately portray the lived experiences of the Colombian working-class. Petro’s labor reform platform is a reflection of workers’ daily grievances and struggles.

Over the past few years, pro-reform advocates have organized sit-ins, work stoppages, and protests — both at a local and national level — against the increased prevalence of subcontracting, outsourcing, and anti-union corporate practices.

Palmosan S.A.S., a palm oil company in Santander, for example, fired 48 of its employees after its workforce formed a trade union, Sintrapalmosan, and voted to go on a strike when the company refused to negotiate a list of labor demands. The strike ended after six months with the signing of a collective agreement between both parties, but Palmosan only relented after the Ministry of Labor intervened in the dispute and a district court ruled in the union’s favor.

While all workers recognize the need for reform, some sectors felt differently about the solutions at hand. Despite such a difficult and unfavorable environment for organizing, workers in the digital platform sector initially expressed their disapproval of the Labor Reform bill.

Simón Borrero Posada, the CEO of the super-app Rappi — an on-demand delivery service popular in Colombia — gave a series of interviews rife with misleading statements. Posada asserted that the Labor Reform bill would force the company to hire digital platform workers full-time, thus eliminating the flexibility that so many rappitenderos currently enjoy. The problem with this statement? No such stipulation existed in the reform bill.

Still, five hundred Rappi employees organized a small protest in the capital city of Bogotá in March of 2023. Their principal demand was a rejection of a forced full-time contract. The corporate media took full advantage of the spectacle and pushed the narrative that workers and employers share an interest in rejecting the Labor Reform bill.

Right-wing opposition parties — led by Cambio Radical and el Centro Democrático — kept up the pressure and mobilized more than 90,000 of their supporters in street demonstrations to register their discontent with Petro’s entire reform agenda.

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Question(s) related to this article:
 
The right to form and join trade unions, Is it being respected?

What is happening in Colombia, Is peace possible?

(Article continued from left column)

By the time the Labor Reform bill reached the Seventh Committee of the House of Representatives in June, it was dead on arrival. Lawmakers did not even get the opportunity to debate the bill since the committee failed to reach quorum. As a result, the Labor Reform bill was shelved, amounting to a major setback for the Petro-Márquez administration and allied reformers.

To the surprise of many, a slightly modified version of the Labor Reform bill was filed at the end of August and, when properly debated, it advanced to the next stage of the legislative process. 

The business community still objects to the increased labor costs attendant to the expansion of workers’ rights and claim this will hinder the formalization of the informal sector. In other words, it will discourage business owners from hiring workers who currently “operate outside of the regulatory and tax systems.” But formalization will not occur significantly unless dignified employment and social protection programs are offered. 

The 16 approved articles of the Labor Reform bill are substantive. Night shifts will now begin at 7:00 PM instead of 9:00 PM (Article 15). People who work on Sundays and holidays will now have their overtime pay rate increased (Article 19). 

Employers who discriminate on the basis of sex, gender identity, race, age, economic background, and health history will face drastic penalties (Article 21). Digital platform food delivery workers will receive social security through health and pension contributions by the platform companies for whom they work (Article 30). 

Colombia will offer new training programs for rural work (Article 37). And migrants will bear the same labor rights as citizens (Article 42). 

Right before the New Year, a scandal erupted at a tuna factory in Cartagena. Van Camp’s, a firm operated by Seatech International, was making women workers feel obligated to wear diapers on the job — bathroom breaks are tallied and deducted from their pay.  

The Labor Minister Gloria Inés Ramírez publicly denounced the multinational firm, which has denied the allegations and threatened legal action against the minister. Colombia’s right-wing opposition has rallied to the firm’s defense, but testimonies from employees seem to confirm the minister’s public declarations. 

Besaiga Raga, who has worked for Seatech International for 13 years, said that many of her colleagues are “choosing to put on a disposable diaper” because they “cannot afford to forfeit the little that they earn to the company” by taking a bathroom break.

“It is not easy to go to the restroom,” added Berky Arrieta Garcia. “There are not enough toilets for the number of women who work there. Sometimes it takes 20-25 minutes, even up to half an hour, because we have to form a queue to go to the toilet.”

The Van Camp’s diaper debacle — still playing out — exemplifies why higher labor standards are urgently needed in Colombia. The Labor Reform bill is a crucial means of improving the bargaining position and labor conditions of Colombian workers. And its advancement in Congress is an overdue victory that the Colombian working-class should achieve and celebrate in 2024.

The author, Omar Ocampo, is a researcher for the Program on Inequality and the Common Good at the Institute for Policy Studies.

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HUMAN RIGHTS, Latin America

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Colombia: Artists who were victims of the conflict unite their voices for peace in their regions

EDUCATION FOR PEACE .

An article from Noticias RCN

More than 45 artists who are victims of the conflict joined their voices to once again ask for peace in their regions. Singers, poets, dancers and musicians answered the call of the Office of the High Commissioner for Peace and created an album of various genres, in order to send the message against violence: “enough is enough”.

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The album contains a mix of Afro-Colombian rhythms, ordinary songs and rap. It is a cry of hope and faith to bridge the gap between youth and those who take up arms. Noticias RCN spoke with several of its creators about their reasos to participate in the initiative.

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(Click here for the original Spanish version of this article.)

Question for this article:

Do the arts create a basis for a culture of peace?

What is happening in Colombia, Is peace possible?

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“The idea is that, instead of holding a gun, youth can pick up an instrument to play the music of our ancestors,” said Michelle Valverde, a member of “Juventud ancestral.”

Music as an element that transmits peace

For her part, Adriana Botero, advisor to the Office of the High Commissioner for Peace, explained that the initiative is meant to use art against violence.

“Rap worked for us as a tool of social transformation. It is a bridge that allows us to communicate with all our societies,” added Denise Cáceres, member of ‘Motilonas rap’.

The initiative seeks to raise awareness of the need to develop constructive processes where all voices are heard. In it, music is understood as an element that transmits, and on this occasion, the message is peace and reconciliation.

“Without a doubt, music is an element that communicates, in this case, peace and reconciliation. We tell the whole world that through art we can build society,” concluded Edwin Eregua, singer of llanera music.

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EDUCATION FOR PEACE, Latin America