Interfaith Jury Awards 'The Orange Suit' in Fajr International Film Festival
an article by Signis: World Catholic Association for Communication
The Interfaith Jury organized by SIGNIS at the Fajr International Film Festival in Tehran 2012 gave its Prize to The Orange Suit directed by Dariush Mehrjui of Iran.
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"Environment problems are one of the main issues for human kind today. In an accessible way and for a broad public, the director brings this awareness on the screen. In The Orange Suit , an Iranian father wants to preserve nature and its beauty not only for his family but also for future generations. He is a photojournalist who turns into a sanitation worker due to his enthusiasm for the environment. The film asks also to respect the street sweepers and garbage men; they should be valued for their work. A clean environment is essential for the wellbeing of everyone, is one of the proposals of the film."
The Jury also gave 3 Commendations to the following Iranian films:
Growing in the wind by Rahbar Qanbari "traces the journey of a nomadic tribe in North West Iran through the eyes of youthful innocence. Against the forces of greed, we experience the true spirit of love, integrity and community that inspires growth at the personal and spiritual levels. The use of original voices would probably add authenticity to an otherwise beautiful film."
Days of Life by Parviz Sheykh Tadi "makes the cruelties and human misery of war visible in a kind of cinema-verite style, a reality which is mostly deliberately hidden in the global media. In this way Days of Life can be considered an antidote to all those calling for war. The presence of the committed doctors and nurses, who are willing to sacrifice themselves for the lives of others, including one of their enemies, gives the story a special dimension."
Someone wants to talk with you by Manouchehr Hadi "is a melodrama, based on a simple story, but with a complex narrative arc. The essence is that one cannot judge some one else without having spoken to that person. The director goes deep into the relationships of the people involved in the story, which underlines the importance of forgiveness."
The Interfaith Jury comprised Jahangir Almasi (President, Iran), Guido Convents (Belgium) and Winifred Loh (Singapour).
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Question(s) related to this article:
Does Persian culture contribute to a culture of peace?,
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Latest reader comment:
In response to the question, "Does Persian culture contribute to a culture of peace," today, I have a simple question of you. Try to imagine a woven piece of "Gold" with its warps and woofs made of cotton and fuzz while its various forming colors resemble a heavenward garden full of wonderful trees, flowers and plants!
In my view, the question is too ordinary to be answered! Any wise man will instantly find it out that “carpet” is the keyword; a loom-woven, felted textile that is being used to cover the floor of halls, rooms and mostly to decorate walls, roofs and palms in favor of those who love elegance, dainty and grace.
But what do you know about the origin of this apparently worthless rug that never attracts anyone and slightly thrown off under your feet being trampled thousands of times each day by you and your family members?
Carpet’s origin of foundation is Iran and its history of production dates back to about 5th century BC when the Achaemenidan Empire was ruling.
The oldest documented carpet of the world is called Pazyryk that has been woven by the order of Cyrus the great in 500 BC in the southern Iranian city of Shiraz and still survives, archaeologists say.
Persian culture since the beginning of its perfection during the 600s BC until today is totally associated with some distinguished arts such as miniature, calligraphy and carpet weaving, so we can claim that these precious arts are considered as the symbols of Persian civilization, in fact.
To the other words, Most of the people who don’t have much information about Iran and its luminous history are closely familiar with the outputs of Persian culture such as its performing and decorative arts.
Carpets are some applicable proofs for the claim that Persian productions are widely being used throughout the world regardless to their nationality.
Saffron and tea are also in the same conditions while originated from Iran but the majority of their international users do not know about the birthplace of these treasure floras.
However we have to keep in mind that Iran is a cradle of carpets and rugs production.
The world’s most professional masters of carpet-weaving are currently working inside traditional looms and workshops of Persian ancient cities such as Kashan, Tabriz, Yazd, Isfahan and Qom and their powerful hands manipulating wools, silk, cotton, chords and yarns to finally ensue the dazzling results that we spread under our feet unconcernedly.
The carpets of highest quality are often woven by hand whereas machine-made carpets gain less quality, credibility and artistic value, so the most people try to pay more so as to buy the hand-woven carpets.
It is necessary to add that the average of time needed for a beautiful illustrated carpet to come out (by hand) is approximately 400 hours and it undoubtedly shows the pure struggles of painstaking weavers who form the carpet knots with their sense of responsibility, love and talent.
Carpets are the most popular souvenirs in Persia and families who want to dispatch gifts to their relatives outside Iran will always choose small-sized tufted or needlefelt carpets with fantastic warp and weft threads which shape spectacular sights of natural and ancient scenes.
The most-used designs for carpets are consisted of abstract natural landscapes ornamented by warm and almost red-spectrum colors.
The dominant equipment used for carpet weaving process are still the traditional instruments of past centuries such as spun and spindles.