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Le Jury interreligieux récompense 'The Orange Suit' au Festival international du film Fajr

an article by Signis, Association Catholique Mondiale pour la Communication

Le Jury interreligieux organisé par SIGNIS au Festival international du film Fajr à Téhéran a donné son Prix au film 'The Orange Suit' du réalisateur iranien Dariush Mehrjui.



click on photo to enlarge

"Les problèmes environnementaux sont aujourd’hui un enjeu essentiel pour l’humanité. Le réalisateur porte cet enjeu à l’écran de manière à ce qu’il soit accessible à un large public. Dans The Orange Suit, un photographe et père de famille iranien veut préserver la nature et sa beauté pour sa famille mais aussi pour les générations futures. L’amour de l’environnement le pousse à devenir éboueur. Le film appelle à respecter les balayeurs de rue et les éboueurs ; ils devraient être valorisés pour leur travail. Un environnement sain est essentiel pour le bien-être de tous, comme ce film nous le montre."

Le Jury a aussi accordé 3 Mentions aux films iraniens suivants :

'Growing in the Wind' de Rahbar Qanbari "retrace le voyage d’une tribu nomade au nord oust de l’Iran, vu à travers le regard d’une jeunesse innocente. Contre les forces de l’avidité, nous voyons à l’œuvre le véritable esprit d’amour, d’intégrité et de communauté capable d’inspirer le développement personnel et spirituel. L’utilisation de voix originales ajouterait sans doute à l’authenticité de ce superbe film."

'Days of Life' de Parviz Sheykh Tadi "expose la cruauté et la misère humaine de la guerre dans le style du cinéma-vérité, une réalité en général délibérément cachée dans les médias globaux. Dans ce sens, le film peut être considéré comme un antidote à ceux qui veulent la guerre. La présence et le dévouement de docteurs et infirmières prêts à se sacrifier pour sauver la vie de l’autre, y compris un de leurs ennemis, donne à l’histoire une dimension particulière."

'Someone wants to talk with you' de Manouchehr Hadi "est un mélodrame basé sur une histoire simple mais d’une structure narrative complexe. L’essence du film est que l’on ne peut pas juger une personne sans lui avoir parlé. Le réalisateur explore de manière profonde les relations des protagonistes et souligne ainsi l’importance du pardon."

Le Jury interreligieux était composé de Jahangir Almasi (Président, Iran), Guido Convents (Belgique) et Winifred Loh (Singapour).

( Cliquez ici pour une version anglaise)

DISCUSSION

Question(s) related to this article:


Does Persian culture contribute to a culture of peace?,

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Latest reader comment:

In response to the question, "Does Persian culture contribute to a culture of peace," today, I have a simple question of you. Try to imagine a woven piece of "Gold" with its warps and woofs made of cotton and fuzz while its various forming colors resemble a heavenward garden full of wonderful trees, flowers and plants!

In my view, the question is too ordinary to be answered! Any wise man will instantly find it out that “carpet” is the keyword; a loom-woven, felted textile that is being used to cover the floor of halls, rooms and mostly to decorate walls, roofs and palms in favor of those who love elegance, dainty and grace.

But what do you know about the origin of this apparently worthless rug that never attracts anyone and slightly thrown off under your feet being trampled thousands of times each day by you and your family members?

Carpet’s origin of foundation is Iran and its history of production dates back to about 5th century BC when the Achaemenidan Empire was ruling.

The oldest documented carpet of the world is called Pazyryk that has been woven by the order of Cyrus the great in 500 BC in the southern Iranian city of Shiraz and still survives, archaeologists say.

Persian culture since the beginning of its perfection during the 600s BC until today is totally associated with some distinguished arts such as miniature, calligraphy and carpet weaving, so we can claim that these precious arts are considered as the symbols of Persian civilization, in fact.

To the other words, Most of the people who don’t have much information about Iran and its luminous history are closely familiar with the outputs of Persian culture such as its performing and decorative arts.

Carpets are some applicable proofs for the claim that Persian productions are widely being used throughout the world regardless to their nationality.

Saffron and tea are also in the same conditions while originated from Iran but the majority of their international users do not know about the birthplace of these treasure floras.

However we have to keep in mind that Iran is a cradle of carpets and rugs production.

The world’s most professional masters of carpet-weaving are currently working inside traditional looms and workshops of Persian ancient cities such as Kashan, Tabriz, Yazd, Isfahan and Qom and their powerful hands manipulating wools, silk, cotton, chords and yarns to finally ensue the dazzling results that we spread under our feet unconcernedly.

The carpets of highest quality are often woven by hand whereas machine-made carpets gain less quality, credibility and artistic value, so the most people try to pay more so as to buy the hand-woven carpets.

It is necessary to add that the average of time needed for a beautiful illustrated carpet to come out (by hand) is approximately 400 hours and it undoubtedly shows the pure struggles of painstaking weavers who form the carpet knots with their sense of responsibility, love and talent.

Carpets are the most popular souvenirs in Persia and families who want to dispatch gifts to their relatives outside Iran will always choose small-sized tufted or needlefelt carpets with fantastic warp and weft threads which shape spectacular sights of natural and ancient scenes.

The most-used designs for carpets are consisted of abstract natural landscapes ornamented by warm and almost red-spectrum colors.

The dominant equipment used for carpet weaving process are still the traditional instruments of past centuries such as spun and spindles.


This report was posted on February 15, 2012.

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