Category Archives: EDUCATION FOR PEACE

The artists Mira Awad and Noa: voices for peace in the Palestinian-Israeli conflict

EDUCATION FOR PEACE .

An article from enPositivo

Amid the chaos and tragedy that has marked the conflict between Israel and Gaza, the voices of Israeli singer Noa (Ahinoam Nini) and Arab-Israeli singer Mira Awad stand out as passionate calls for peace and coexistence. Representing a rare alliance between two seemingly opposing cultures, these artists have shared the stage and messages of hope over the years, seeking an alternative path to perpetual suffering and destruction.

In a world marked by tragedy and mistrust, these two exceptional voices represent beacons of hope, reminding us that, even in the midst of conflict, there is room for dialogue, understanding and, above all, the possibility of a more peaceful future.

This week (December 20) Noa and Mira Awad join forces again in a concert with the Berlin Philharmonic, whose funds will go to the Israeli forum that represents the relatives of the hostages in Gaza and to two women’s organizations for peace, one Israeli and the other Palestinian.

The talented Israeli singer Noa, known for representing Israel at Eurovision in 2009 in a duet for peace with Mira Awad, has strongly expressed her rejection of war and her firm support for the two-state solution. In a recent interview, Noa commented on the devastating events of October 7 and the subsequent bombings in Gaza, reinforcing her belief in the urgent need to end the conflict in the Middle East.

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(Click here for the original Spanish version of this article.)

Question for this article:

Do the arts create a basis for a culture of peace?

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“I do not support the cult of death. We have to do everything possible to save and protect human life, whether Jewish, Israeli, Palestinian… all human life,” Noa emphasized. Her position in favor of a diplomatic solution backed by international intervention is clear: “I want international intervention tomorrow.”

Additionally, Ella Noa advocates for the release of all Israeli and Palestinian hostages as part of a possible plan to stop the violence. Highlighting the tragedy unfolding in Gaza, she calls for empathy and understanding of the suffering on both sides of the conflict.

For her part, Mira Awad, the first Arab to represent Israel in Eurovision alongside Noa, offers a unique vision as an artist and activist.

From her London home, Awad reflects on the horrors of October 7 and the subsequent escalation of violence in Gaza. “The alternative to peace is the hell we see now,” she states forcefully.

Awad highlights the pain that Gazans are going through and exposes the complexity of the conflict, underscoring her commitment to peace and the recognition of Palestinian rights. Although she recognizes the difficulties of dialogue in the midst of trauma, she advocates for mutual understanding and recognition.

Both artists, despite their differences, share a common vision: the importance of working tirelessly for peace.

The two-state solution, mutual respect and an end to violence remain the fundamental pillars of their joint message: “There has to be another way.”

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United States: The Black Choreographers Dancing Toward Justice

EDUCATION FOR PEACE .

An article by Hannah J. Davies from Hyperallergic (produced in collaboration with the Arts & Culture MA concentration at Columbia University’s Graduate School of Journalism)

Since it began over a decade ago, the Black Lives Matter (BLM) movement has celebrated the literal movements of its participants. People protesting killings of Black people have not only marched in the streets; they have krumped, twerked, vogued, and resurrected the electric slide of the ’70s and ’80s in often impromptu responses to the emotions underpinning their demonstrations. Black choreographers, in turn, have woven the grief, anger, and sadness of the BLM movement into formal concert dance.


Choreographer Chanel DaSilva’s Tabernacle (2023) (photo by Amitava Sarkar, courtesy the Dallas Black Dance Theatre)

Choreographer Kyle Abraham presented “Absent Matter” in 2015, just two years after the acquittal of Trayvon Martin’s killer, George Zimmerman, ignited BLM and one year after the police killing of Michael Brown in Ferguson, Missouri. A work of fluid and athletic gestures, Abraham’s performance took its cues from hip-hop, ballet, and politically minded anthems like Kendrick Lamar’s “Alright.” In 2016, David Roussève’s “Enough?” — with an accelerating choreographic phrase danced to a soundtrack of Aretha Franklin — asked whether dance can be a sufficient medium for considering the brutality often inflicted on Black people.

Now (January 2024), eight years later, that question is being answered in the affirmative on major dance stages around the United States. Choreographer Jamar Roberts’s “Ode,” a somber and sensuous dance first performed in 2019 as a response to gun violence, was restaged for the Alvin Ailey American Dance Theater’s 65th anniversary in December. Last May, Chanel DaSilva’s “Tabernacle” premiered at the Dallas Black Dance Theatre, fusing Afrofuturism, hip hop, and African dance in a direct response to BLM. And last fall, as part of the French Institute Alliance Française’s (FIAF) Crossing the Line festival, the French-Malian choreographer Smaïl Kanouté’s “Never Twenty One” made its New York debut, its title borrowed from a BLM slogan. A trio of dancers whose bare arms and torsos were emblazoned with words like “death,” “negro,” and “PTSD” engage in movements akin to mortal combat onstage, punctuated by moments of kinship, in homage to people of color killed through gun violence in the US, South Africa, and Brazil before they had reached their 21st birthdays. After the performance at FIAF, one audience member noted that she had cried 63 times while watching.

While there is a clear difference between dance erupting on sidewalks and performances choreographed for the stage, there is overlap between the two forms. In addition to a sense of urgency, they share some of the same movements and gestures. In “Never Twenty One,” for example, the spasmodic krumping motions that originated in South Central Los Angeles in the ’90s were seen in protests in 2020 following the killing of George Floyd. One audience member animatedly joined in from her chair during the show at FIAF in perhaps an unusual move, but in another setting, it would be almost rude not to.

Dr. Shamell Bell, a dancer, Harvard lecturer, and one of the founding members of the Black Lives Matter movement in Los Angeles, explained to Hyperallergic the importance of rooting such pieces in lived experience and “[reaching] out to the people that you’re supposedly wanting to bring attention to.” Having begun her career dancing on the streets as a youth activist, Dr. Bell now works on performance pieces that, like “Never Twenty One,” play with the conventions and traditions of vernacular Black dance genres to shine a light on difficult topics.

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Question for this article:

Do the arts create a basis for a culture of peace?, What is, or should be, their role in our movement?

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Dr. Bell served as a co-social impact director for Ritual of Breath Is The Rite to Resist (2022), a transmedia opera at Dartmouth and Stanford that brought together dance, music, visual art, and text. Composed by Jonathan Berger and choreographed by Neema Bickersteth and Trebien Pollard, the piece was loosely based on the last moments in the life of Eric Garner, the 43-year-old African-American man who was killed by a New York City Police Department officer in 2014. His final words — “I can’t breathe” — became a major slogan for the BLM movement.

“We asked the community what they needed to heal,” Dr. Bell said. “One of the most important aspects of doing performance as activism is making sure it has tangible resources for and connections with the community it matters the most to.”

Dr. Bell reached out to Garner’s mother, Gwen Carr, and others who had lost children to police brutality, not only entering into a dialogue with them but also creating rituals aimed at supporting them emotionally. In a similar vein, Kanouté incorporated the testimonies of bereaved families into his piece at FIAF, including haunting monologues in multiple languages that comprise the show’s soundtrack. Both works go beyond archiving the experiences of their subjects to also provide a space for grieving. “Dance is a healing modality,” Dr. Bell added. “And we need to heal ourselves in order to heal this world.”

Of course, BLM and other movements for racial justice are just the latest chapters in a long history of Black cultural activism in the United States. Artist and academic Stafford C. Berry Jr., a scholar of what he describes as “African-rooted” dance at Indiana University, told Hyperallergic that these choreographic works extend and are part of “the trajectory and existence of Black lives from enslavement up until now,” adding that the BLM movement “is really a contemporary recapitulation of our earlier movements.” Mentored by the influential choreographers Chuck Davis and Kariamu Welsh, Berry noted that he has long drawn inspiration from the Black Arts Movement of the 1960s and ’70s, which emerged in tandem with Black Power. Even so, Berry sees the BLM movement’s resurgence in recent years as a step forward in understanding Blackness in America. Berry noted that the works that BLM has inspired have been “bold and unapologetic, by people who are centering themselves and trying to figure out what BLM means for the United States, and the world.”

This certainly seems true of Kanouté, who is based in Paris and was inspired by what he described to Hyperallergic as the “powerful echo” of events in the US to look at the loss of Black lives across the world. “We had a young man called Nahel [Merzouk] who was shot by the police,” he said, catching his breath backstage after the FIAF performance as he recalled the case of the 17-year-old boy of North African descent who was killed by French police last June, sparking protests across France. “The racism and separation I grew up with was under the surface, but now it’s come out.”

In the same way that popular dance can offer a sense of hope and resistance at protests, there is a cathartic quality to Kanouté’s work. Despite the frequent choreographed clashes among the three men on stage, “Never 21” was infused with a sense of truly owning and embracing Blackness and Black joy in its many forms. Kanouté explained that he draws particular inspiration from Black communities living in cities like Johannesburg and Rio de Janeiro, whose joy often exists side by side with danger and precarity.

“They have to create their own identity, their own music, their own dance, because they don’t know if tomorrow they will still be there,” Kanouté said. “In that kind of atmosphere, you create powerful things.”

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Artists in Turkey: Let us be a voice for peace

EDUCATION FOR PEACE .

An article from ANF News

In an urgent appeal to the public, hundreds of artists from Turkey called for negotiations on a peaceful solution to the Kurdish question. The declaration “Let us be a voice for peace”, signed by 564 personalities, was presented today at the Taksim Hill Hotel in Istanbul. Among the signatories are prominent names such as musician Cevdet Bağca, writer Ayşegül Devecioğlu, art critic and painter Feyyaz Yaman, author Firat Cewerî, director Haşim Aydemir, actress Jülide Kural, musician Mikail Aslan, documentary filmmaker Nejla Demirci, photographer Özcan Yaman, painter Sevinç Altan, author Şanar Yurdatapan and director and DEM deputy Sırrı Süreyya Önder.

Writer Ayşegül Devecioğlu read the declaration, the full text of which reads as follows:

“We, the undersigned people of art and literature, would like to share with the public our objection to the obstacles preventing the Republic from attaining a democratic, populist and libertarian character in its second century. Concerned about the future of Turkey, we wish to be a modest voice in this environment of multiple crises. If we remain silent today, there may be no one left to speak tomorrow.

We, the people of art and literature, who will not stand by and watch Turkey waste another century, propose to weave together a future in which all ethnic, religious and cultural identities live freely and are not oppressed or subjected to pogroms.

We have the responsibility to speak a new word, to form a new sentence in this muddy ground where the legislature is under the pressure of the government, the independent judiciary has lost its independence under the ‘one man regime’, secular and free education has fallen behind the times, trustees have been appointed to universities and people’s municipalities, women are subjected to violence, brain drain has reached an extreme level, and youth are leaving the country out of fear for their future.

We believe that we need a new way of looking and seeing in this atmosphere of deepening social and economic crises, where democratic possibilities are excluded in solving problems arising from denial and assimilation, and violence is constantly updated as a policy.

For a hundred years, many humanitarian demands for rights, especially the democratic demands of the Kurds and the freedom of belief of Alevis, were postponed, not resolved, and consolidated by the governments as a phenomenon of separation between our peoples. The divisions between peoples and cultures have been deepened.

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Question for this article:

Do the arts create a basis for a culture of peace?, What is, or should be, their role in our movement?

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Pressurized by multiple crises, public opinion is under heavy manipulation by the government. Those who govern Turkey are distracting the public from the real agenda with secondary agendas. Isolation practices have turned into a management apparatus in the hands of the autocratic government. Society is under an ideological and political siege. Isolation and war policies deepen social and economic crises.

Thousands of people are unlawfully imprisoned for their political views and are almost political hostages. Practices in prisons that violate human rights are increasing day by day. Thousands of political prisoners are currently on hunger strike against isolation practices. The demands of political prisoners on hunger strike must be listened to and resolved through negotiations.

We believe that Turkey’s problems should be solved through negotiation. Starting in 2013, the ‘Resolution Process’, which created great hope for reconciliation among the people, was a valuable experiment. Negotiations with Abdullah Öcalan, one of the interlocutors of the issue, created the possibilities for peace. With the consent of a large part of society, the process can start again. Society must be courageous for peace. It should not be afraid to dialog and talk.

It is our open call to everyone in the position of interlocutor; the conditions set forth by universal law and human rights need to be fulfilled without hesitation by the political representatives of the time. The government must abandon the politics of oppression, isolation and war. We believe that these ideas and suggestions by people of art and literature will be embraced by all those who desire the construction of social peace.”

Speaking at the meeting, Feyyaz Yaman from Karşı Sanat (Counter Art) said that they came together to “protect peace”. Yaman said, “But while doing this, our framework has been in the field of art. Art has never experienced such an environment of violence, victimization and injustice as today. Its voice has never been silenced like this. In each of these situations, we see that this silence is not only due to the economic difficulties experienced by artists. Artists cannot perform, writers cannot write their books. The real reason for this whole crisis is that the social consensus has also broken down at the legal level. This silencing environment we are experiencing all over the world today prompts us to seek our rights. If art is to speak a critical language, then it must first weave rights and the coexistence of peoples. We invite artists to stand together against those who continuously impose a process of extermination and to claim this need. We have something to do for this, we need to produce a process of real dialogue. We have to bring together and defend the injustices we have suffered in this environment of differences on our common ground of righteousness. As those who believe in the power of art, we invite everyone to re-establish this peace.”

See also French artists and intellectuals: Let us be a voice for peace

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Algeria: National Graffiti Festival-Sétif; Fethi Mjahed wins 1st Prize

. EDUCATION FOR PEACE .

An article from L’Expression (translation by CPNN)

The artist Fethi Mjahed from Tiaret won the Best Graffiti Prize on Thursday at the end of the fifth edition of the National Graffiti Festival which opened Monday in Sétif for his optimistic work. Second and third places went respectively to Hamza Mokrani from Khenchela and Salah-Eddine Adhimi from Sétif.


(click on image to enlarge)

(Click here for the original French version of this article)

Question related to this article:
 
Can popular art help us in the quest for truth and justice?

In a statement to APS, Nacer Fadli, president of the organizing committee and director of the Office of Youth Establishments (ODEJ) of Sétif, recalled that “40 artists from several wilayas took part in this traditional event organized by the league of cultural and scientific activities of young people in concert with the Odej and the direction of youth and sports as part of the implementation of the annual program of the supervisory ministry

Unlike previous editions during which the participants drew on the walls in different places in the city, the organizers opted this year to put the grafitti on wooden panels on the square adjoining the Sétif amusement park. The panels can then be used to decorate certain establishments or participate in other competitions, said Mr. Fadli.

The objective of the festival is to make these works of art a means of raising awareness of citizenship and the dissemination of the culture of peace, while allowing young people to exchange their experiences and participate in local activities, added the head of Odej.

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Mexico: the First Conference for Peace is held at the Metropolitan Autonomous University in Cuajimalpa

… EDUCATION FOR PEACE …

An article by Maribel Lozoyade from UAM/UNIDAD CUAJIMALPA

A group of research professors from the Metropolitan Autonomous University (UAM) has created the Research Network on Culture of Peace, Justice and Solid Institutions. Its objective is to promote a culture of peace through reflection, education and discussion of issues, as well as the implementation of actions that contribute to the strengthening of the ideals of peace. This initiative seeks to intervene and have a social impact in solving problems from various disciplines.

In commemoration of the International Day of Peace, established by the UN on September 21, the Network organized the First Days for Peace. The opening ceremony took place on September 18 at the Cuajimalpa Unit of the UAM, and was attended by authorities from the different academic units that are part of this university.

Dr. José Antonio de los Reyes Heredia, general rector of the UAM, inaugurated the conference and highlighted that universities and Higher Education Institutions have the responsibility of addressing priority issues, satisfying specific needs and accompanying society in its adaptation to challenges. current. This involves promoting perspectives of peace, working to eradicate violence and assuming environmental responsibility. The rector stated that the UAM has incorporated these efforts transversally into its university policies.

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(click here for the original version in Spanish).

Questions for this article:

Is there progress towards a culture of peace in Mexico?

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De los Reyes Heredia pointed out that these days highlight the efforts made by various entities to strengthen their institutions. Almost half a century after the founding of the UAM, the university is implementing strategies that reflect the important social contribution it has had over five decades. He concluded by stating that these first days reflect the identity of the university community and how they wish to be perceived as an institution.

Professor Octavio Mercado González, rector of the UAM-C, stressed that current times are characterized by enormous challenges and threats in different areas and scales. He expressed concern about the polarization of public discourse and how social media influences the local and global context. He highlighted that public universities must reaffirm their ability to contribute to the debate from a climate of respect that makes room for all voices.

“Working in cultures of peace allows us to generate spaces, agreements, but above all, reinforce the way in which the university addresses problems. Universities are not islands, they are not separated from these conflictive environments. We cannot think of the notion of a culture of peace as an absence of conflict, but as the way to address these conflicts towards mediation and construction of agreements that allow a climate of respect to give voice to all parties and to sustain the life of the community.”

Dr. Gabriel Pérez Pérez, director of the Division of Social Sciences and Humanities, explained that the First Conference for Peace takes place until September 22 in different spaces of the UAM academic headquarters. He thanked the work of Dr. Jesús Elizondo, research professor at the UAM-C and head of the Research Network on Culture of Peace, Justice and Solid Institutions, for his remarkable work in ensuring that these sessions were carried out in a public space such as the UAM.

Finally, Dr. Claudia Salazar Villava, member of the Network, spoke on behalf of her research team and highlighted that this initiative seeks to create spaces for learning, debate, reflection and exchange to strengthen the work in favor of peace and justice from different units and approaches. “The network seeks for this Culture of Peace week to be the stage that makes visible the institutional efforts that contribute to the strengthening of peace, the peaceful transformation of conflicts and harmony. We must address the context of violence that affects the daily lives of the university community by promoting reflection and the development of strategies of respect, mutual care and supportive forms of coexistence.

Mexico: Universities ratify peacebuilding strategy

… EDUCATION FOR PEACE …

An article from the Universidad de Colima

Last weekend (June 13), 113 rectors of universities and public and private institutions in the country ratified the strategy for building a culture of peace in Higher Education Institutions (IES), during the LXII Ordinary General Assembly of the National Association of Universities and Higher Education Institutions (ANUIES), which was held in person at the University of Colima.

With a broad agenda of national educational issues, the rectors also ratified the creation of the National Network for Peace and the National Network of Higher Education for Inclusion. The general director of Academic Strengthening of ANUIES, Luis Alberto Fierro Ramírez explained that these are the path towards the construction of the university that Mexico needs.”

The person responsible for the Comprehensive Peace Building Program from the ANUIES Universities, Hortensia Sierra Hernández, prioritized the concepts of dignity, integrity and well-being as the values for actions for a culture of peace within educational communities.

Likewise, she said that the General Education Law is a mandate: “Many times we do not know where to start, but each community has actions that only need to weave together these three concepts.” Thus, she highlighted, “the culture of peace concerns human rights, equity, collaborative work, networks, gender perspective, equality, elimination of stereotypes, promotion and respect for the equality of women and men, mental health and eradication of any type of violence.”

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(click here for the original version in Spanish).

Questions for this article:

Is there progress towards a culture of peace in Mexico?

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For his part, Francisco Gorjón Gómez presented the National Network for Peace as a collaborative work scenario between institutions involving experts and actions in the culture of peace and including students and researchers to promote the international objectives defined by the the objectives of sustainable development of the United Nations.

He also spoke of establishing a peace and human rights laboratory, as well as generating projects that have an impact as a network. As a national initiatives of the ANUIES, it calls for support from all the rectors of the IES and the largest number of people and experts.

Likewise, Servando Gutiérrez Ramírez spoke about what will be the National Network of Higher Education for Inclusion. He said that the number of people in conditions of exclusion has increased “at the same time as conditions of vulnerability that impact the situation of people, not only with some disability but also those who are in vulnerable conditions such as indigenous people, Afro-descendants, people of sexual and gender diversity and older adults.”

He added that there is interest in collaborating in a national network and that a large number of public and private institutions already collaborate. All of them have people who are experts in inclusion and vulnerability issues. This, he continued, “will give important solidity and social meaning to this network, because as people with disabilities insist: ‘nothing about us without involving us.’”

Upon learning details of both networks, different rectors highlighted the current importance of the two themes, asking how to integrate them, if there was any financing, and requesting that they not be bureaucratized.

In this regard, the general director of University and Intercultural Higher Education, Carmen Rodríguez Armenta, indicated, via virtual presentation, that within the federal and state resource ministries and as part of the 2023 financial plan, “there is the idea of presenting a protocol about sexual harassment and an institutional program on a culture of peace.”

She continued, “It is now an obligation of the General Law of Higher Education and also a commitment of the resource that are needed.” She added that the auditors of the Higher Body of the Federation in 2024 will have this document duly formalized by their general university council.

Finally, she recalled the importance of the session convened by ANUIES, with its protocol to eradicate gender violence and with the institutional peace program authorized by its university councils.

Book: Culture of Human Rights for a future of Peace

EDUCATION FOR PEACE .

A note from the Secretaría de Gobernación de México

Peace is a constant search, it is something that requires permanent work. When we talk about peace we refer to the dignity of life; the protection of individual and collective rights; and the generation of conditions for development.

This book is an initiative of the General Directorate of Public Policy and the Economic Culture Fund, which explores the construction of a culture of peace in relation to human rights. That is, it links the idea of making peace, understood as a way to address the causes of the conflict, with the prerogatives that allow the integral development of individuals. To address this question, a group of activists and academics who share an interest in exploring peacebuilding processes in Mexico and Colombia were invited.


This publication was officially presented at the Bogotá International Book Fair on April 20, 2023, and its content was discussed at a dialogue table that included the participation of the Mexican ambassador to Colombia and the Special Representative of the UN Secretary General in colombia.

It will soon be available at the Economic Culture Fund.

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( Click here for the original version in Spanish.)

Question for this article:

What are the most important books about the culture of peace?

Latin America, has it taken the lead in the struggle for a culture of peace?

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A brief review

Peace is more than the absence of armed conflict or criminal violence. This book questions the dominant notions of peace, often associated with the territorial integrity of a national State, and instead it confronts the processes of domination, injustice and inequality. For many of the authors, achieving peace is a process that cannot be achieved until structural violence, such as poverty or impunity, is overcome. In that sense, peace is conceptualized in a broad way, not from the negative definition of a pure absence of war, but as a positive statement. That is to say, peace becomes an alternative to militarist and sexist ideologies, to criminal violence and to warlike values.

Table of contents

* Total peace and human security in Colombia: potentialities and limitations / Pablo Emilio Angarita Cañas

* Moving towards peace: neuroscientific perspectives from Mexico / Roberto Emmanuelle, Mercadillo Caballero

* The challenges of peacebuilding in contexts of chronic violence and persistent human insecurity in Latin America / Alexandra Abello Colak

* The total peace in Colombia: a necessary attempt / Juan Camilo Pantoja, Raúl Zepeda Gil

* About the identity and particularity of education in the key to building a culture of peace: contributions for Colombia / Alicia Cabezudo

* Peace and human rights / Miguel Concha Malo, Carlos Ventura Callejas

* Weeding out militarism: cultures of peace in the struggle of the Lesvy Berlin femicide case Rivera Osorio / Sergio Beltrán-García

* How to discern the nuances of apparent forms of peace: a tale of two peoples / Trevor Stack

Romania: 1982 Concert for Peace on Earth

EDUCATION FOR PEACE .

Sent to CPNN from Elisaveta Nica

As a promoter of Culture of Peace and Friendship (COPF), I send you this video that presents a musical message of peace. I hope you would enjoy it.  


(Click on the image to watch the video)

Question for this article:

What place does music have in the peace movement?

This musical concert was organized in Bucharest, Romania in 1982 by a genius poet and great patriot Adrian Păunescu during comunism regime more than 35 years ago. His genuine enthusiasm and love for peace greatly expressed in the way how he conducted this concert with thousands of people chanting “Să fie pace în lume” (Let there be peace on earth) associated with moments of a dove play and Olympic flames stand as  symbols of hope and beauty of all Romanians. 

Through its message, this concert has a great contemporary significance for the world we live in.

Păunescu has passed away since 2010, but he left a great legacy to humanity: love for peace and living in peace.
 
In the last years of his life he lived in loneliness. I read that in his last poem, he wrote “not even GOD sits at table with me.”

I wept.

Argentina: International Meeting of Participatory Conflict Resolution Methods

… EDUCATION FOR PEACE …

An article from the Argentine government

December 6: An international meeting on Participatory Conflict Resolution Methods “Human Rights, democracy and culture of peace” was held in the City of Salta with more than 400 mediators from different organizations at the federal level.

The event was organized by the Secretariat of Justice of Salta, the European Union Argentine Delegation, the National Directorate of Mediation and Participatory Methods of Conflict Resolution and the Federal Board of Cortes and Superior Courts of Justice of Argentina, JUFEJUS.

It was developed in two days of extensive work with the aim of continuing to develop mediation in our country.

Present at the opening ceremony were the president of Ju.Fe.Jus, María del Carmen Battaini; the president of the Access to Justice and Mediation Commission of JUFEJUS, Fernando Augusto Niz; the Minister of the Superior Court of Chaco, Victor del Río; the Minister of Security and Justice, Marcelo Ramón Domínguez; the Secretary of Justice of Salta, Luis María García Salado and the National Director of Mediation and Participatory Methods of Conflict Resolution, Patricio Nicolás Ferrazzano.

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(click here for the original version in Spanish).

Question for this article:

Mediation as a tool for nonviolence and culture of peace

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During the conference, different panels were held with experts working on different thematic axes related to Participatory Conflict Resolution Methods throughout Argentina.

In addition to the National Directorate Team, participants included international and national exhibitors from many Argentine provinces.

In a second meeting, a series of talks was sponsored by the European Union with 4 speakers. It was attended by Ambassador Amador Sánchez Rico and the Head of Cooperation, Luca Pierantoni.

Minister of Security and Justice Marcelo Domínguez highlighted the importance of this space for debate and the participation of national and provincial authorities, as well as people from various provinces. The official indicated that it is key to work on the development of public policies that lead to forming a more just and supportive society, where each person is seen as a neighbor and not a rival. Furthermore, he stressed the value of resolving conflicts peacefully.

Likewise, the Secretary of Justice of Salta emphasized that he is proud that the Salta mediation model is an international reference because it speaks very well of the mediators and the commitment of the Governor of the Province to contribute to the culture of peace, coexistence and access to justice.”

The promotion of participatory methods of conflict resolution is essential to build a culture of peace and understanding and the promotion of these is not only a desirable option, but an imperative necessity if we seek to build a more peaceful and just world for future generations. .

The meeting included many mediators, officials and the general public from all over the country. The government of Salta and the Ministry of Security and Justice are recognized for their joint work and for achieving this enriching meeting.

Rebuilding the social fabric and the culture of peace in Mexico

… EDUCATION FOR PEACE …

An article from National Autonomous University of Mexico

Rebuilding the social fabric and the culture of peace in Mexico necessarily requires respect for human rights and legality, as well as reducing inequality and controlling types of violence, agreed experts gathered at the UNAM.

When closing the work of the Permanent Seminar on Social Sciences (SEPERCIS) 2023 “Reflections of the contemporary world, the reconstruction of the social fabric and the culture of peace”, the General Secretary of the National University, Patricia Dávila Aranda, reported that members of the 14 academic career committees participated, along with representatives of civil society organizations. “This was wise, because they broadened their views and had a more inclusive vision.”

“I am sure that each and everyone learned and heard something that will allow them to move forward on this important issue. Without a doubt, paths were built for the future, because that is why we meet, discuss and hold these types of seminars,” she pointed out.

She hoped that in subsequent meetings more voices from society would be integrated because “there is room for all of us at the University. The more groups and different ways of thinking we are related to in academic work, the more we will learn and the better we can build.”

Dávila Aranda explained that during the 18 sessions methodologies were analyzed, experiences of community and territorial interventions were shared, and theoretical approaches were addressed to provide elements for the understanding and relevance of the reconstruction of the social fabric and the culture of peace.

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(click here for the original version in Spanish).

Questions for this article:

Is there progress towards a culture of peace in Mexico?

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She highlighted that the social sciences have a range of training and specialists in different topics, and at this event they analyzed them from a multidisciplinary perspective, in order to improve social interactions, mental health, human rights, care, resilience and mediation, among other topics.

Enduring values

“In various definitions, peace is understood as a situation without armed struggle, in harmony, without confrontations or conflicts. We relate it to a concept of war, but it is not limited to that, rather it means the opposite of all types of violence,” emphasized the former head of the University Human Rights Program, Luis Raúl González Pérez.

“Peace refers to well-being, inner tranquility, having basic needs such as food, security and correct development covered. It is talked about based on justice, which generates positive and lasting values capable of integrating people, politically and socially, that respond satisfactorily to human needs.”

“That is, inalienable guarantees must be the guiding axis for the construction of societies that live in peace,” said the former president of the National Human Rights Commission.

“However, the 2023 National Public Security Victimization Survey of the National Institute of Statistics and Geography indicates that 60.5 percent of the population over 18 years of age consider insecurity to be one of the most important problems that burdens us,” he said.

“In 2022, 27.4 percent of people in Mexican households had at least one of their members as a victim of crime. In addition, 21.1 million people were victims of some crime,” he noted.

On this occasion, the president of the Human Rights Commission of Mexico City, Nashieli Ramírez Hernández, pointed out that in the country there is a breakdown in the social fabric that we must rebuild, based on a reality where violence and conflict prevail.

“It is essential,” he added,”to build strategies with the objective of achieving a culture of peace; For this it is necessary to enter into the discussion around this concept which is approached from the dichotomy of peace and war. We must move beyond that logic to observe it as a real strategy that can be applied in scenarios like the current one. We must recover the concepts of restorative justice that are based on dialogue.”

Among the strategies to achieve it and rebuild the social fabric, Ramírez Hernández mentioned the transformation of narratives, participation, communication, reinforced protection for priority attention groups and reworking of restorative justice mechanisms.